Wine, Women, & Writing
Basis of the nature and supernatural abilities of Djinn and Scions and Dhampyrs
Dark matter comprises 96% of the universe. The rest is baryonic matter or normal matter, the stuff we can see and interact with. We are made up of baryonic matter. However, dark matter is invisible. It is collisionless which means dark matter passes through baryonic matter leaving both unchanged. Dark matter is postulated to exist because we can detect its gravity. In fact, it provides the gravity that holds star and galaxies together.
What got me to thinking of Djinn as dark matter was an article that suggested that dark matter could be just as varied as baryonic matter. More exciting was that life—not as we know it—could exist. This stuck in my mind but not the article necessarily, but other articles have been written on the subject since that reference Lisa Randall’s discovery of a ‘dark matter disk’.
A Space.com article quoted Andrey Katz of Harvard University: “There is no good reason to assume that all the dark matter in the universe is built out of one type of particle." She goes on to write in journal Physical Review Letters, "The dark world might even be as diverse and interesting as the visible world." To be as diverse and as interesting as the visible world, could point to a different sort of life form. The Djinn perhaps?
I’m a fiction writer, so this was enough for me, but I found another article which made this application more exciting and possibly more plausible insofar as explaining the powers exhibited by Djinn, Scions, and Dhampyrs. An article on www.speed-light.info stated:
Traditionally physicists thought that the smallest particles in atoms were point like, that is, they looked like points. However recently discovered evidence suggest that the smallest particle is not point like, as previously thought, but rather a vibrating string of energy. But physicists also discovered that these strings need more than three spatial dimensions to vibrate in. Particularly they need six extra spatial dimensions. In all versions of String Theory there are 10 dimensions: "Time" plus the usual three spatial dimensions x,y,z (4 dimensions, our observable universe) plus six extra spatial dimensions making a total of ten dimensions (1 time + 9 spatial = 10 dimensions).
A six-dimensional creature. When imagining the sixth dimensions, scientists point out that from six dimensions, we can see the three and four (special) dimensions more completely and time is no longer linear as it is perceived by us. The novel “Flatlanders” explains this in a way that makes this idea easier to understand. In the following excerpt, it explains the difference between the second and third dimension:
One day, a sphere appears before the square. To the square, which can see only a slice of the sphere, the shape before him is that of a two-dimensional circle. The sphere has visited the square intent on making the square understand the three-dimensional world that he, the sphere, belongs to. He explains the notions of "above" and "below," which the square confuses with "forward" and "back." When the sphere passes through the plane of Flatland to show how he can move in three dimensions, the square sees only that the line he'd been observing gets shorter and shorter and then disappears. No matter what the sphere says or does, the square cannot comprehend a space other than the two-dimensional world that he knows.
In the sixth, theoretically, it is possible to see perspectives not perceivable form three dimensions. One could conceivably observe the planes of all possible worlds. Matt Williams summed it up on the website, Universe Today, “We would see a plane of possible worlds, where we could compare and position all the possible universes that start with the same initial conditions as this one (i.e. the Big Bang). In theory, if you could master the fifth and sixth dimension, you could travel back in time or go to different futures.” The Djinn from the perspective of the sixth dimension would see time as events all existing simultaneously.
Speaking of time, in the Scions of Darkness series, time is used as referential to determine speed and distance, etc. but it does not represent a directional plane Time is a numerical order of change which exists in a 3D space. Using the Minkowski model, time dimension is mathematically represented by an imaginary coordinate. All this is to say, time, in the context of these novels, is not the fourth dimension.
Djinn move and exist outside of 3 dimensions. Scions are interdimensional creatures with the ability to perceive the extra dimensions but they exist in the 3rd dimension. The Scion Thaddeus’ time travel trick in the prologue is cool. He must compose a mathematical calculation of the probable event “in the future”, he then has a Djinn transport him to that moment.
Scions and their offspring, Dhampyrs, being able to perceive the six dimensions are able to circumvent time to move at a faster speed (conceivably faster than light). However, their other supernatural abilities are balderdash—fiction, if you will--to lend credence to my creatures’ supernatural abilities, including mind reading and super human strength, etc.
(I have listed below articles that contain detailed scientific explanations. As a dilettante in matters of science, I have a limited capacity to understand the information in them well enough to convert into laymen’s terms. So, I rely on pop science sites for my information)
Williams, Matt , “A Universe of 10 Dimensions” https://www.universetoday.com/48619/a-universe-of-10-dimensions/, 2014.
Fanous, Raef, Dark Matter: Extra Dimensions, http://www.speed-light.info/video_dark_matter.htm,
Brody, Dorje C., Eva- Graefe, Maria, “Six-dimensional space-time from quaternionic quantum mechanics”, Mathematical Sciences, Brunel University, Uxbridge UB8 3PH, UK, 2 Department of Mathematics, Imperial College London, London SW7 2AZ, UK
Cembranos, J.A.R., Dobado , A., and Maroto ,A.L,. “Dark matter from extra dimensions”, 22nd Texas Symposium on Relativistic Astrophysics, Stanford University, December 13-17 2004
Choi, Charles Q., “New Kind of Dark Matter Could Form 'Dark Atoms”, https://www.space.com/21508-dark-matter-atoms-disks.html, 2013
Up Jumped the Devil
Iblis told her the story of how Lylith, the demon, left the darkness of the sixth realm to go to live in the dimension of light. She made herself flesh and bone and blood to be Adam’s mate.
Adam had loved her beauty but despised her dark soul. Her power frightened him, so he sent her away and chose another human as his mate. Such was the will of God, Adam believed. Adam, man, was given a mandate by God to rule over beasts of the Earth and over woman. And Eve, his new mate, docile, simple woman that she was, accepted this as truth.
How Iblis raged at the insult. He raged at the stupidity and hubris of man – that man in particular. He raged at Lylith’s despair.
He told Lola how he found them in the valley of the Mesopotamia where a garden
of green grasses and wildflowers grew. Iblis came upon the couple, blissful in their ignorance, convinced that from their own desires flowed the will of God. They sat beneath the pinnated branches of the Tamarind tree, listening to the dance of water over river rocks. Fruit hung like stones on the tree limbs, bending them with their weight. Adam stood and handed one fruit down to Eve and took another one for himself. Eve tore open the thick husk of the fruit to reveal the blood red pulp. The sight of red juices, spilling upon her breast, distracted Adam. He reached up again, to pluck another fruit, and he felt the branch slither beneath his fingers. He fell back, startled. Eve, seeing Adam’s alarm, jumped to her feet. She spilled the fruit that had been in her lap onto the ground.
They both stood mouths agape as they watched a fat boa slide down the trunk of the tree. The head touched the earth and became a pair of feet. And the body of the snake, splitting up the middle became two legs, long and muscular and the color of copper. His cock, a shade darker than the rest of him, dangled, long and fleshy and hooded, from a springy patch of black hair. The human form developing from the serpent grew into deeply etched pelvic muscles. The tail broadened and became rippled abs, a powerful chest and broad shoulders.
When the eyes of Eve and Adam finally traveled up the length of his body, past his corded neck, they looked into a face that was at once terrifying and beautiful. His wide fleshy mouth curved somewhere between a smirk and snarl as he looked down at the frightened couple with his black bottomless eyes.
Adam covered his manhood with his hands, ashamed at his inferiority. Eve, too,
felt shame, for her desire for this thing before her was unfamiliar and profound.
“A demon,” Adam breathed.
“As you will,” the deep bass of Iblis voice rumbled as he inclined his head in a bow.
“Why have you come?” asked Adam.
“Fear not. I come bearing a gift to celebrate your new union.”
“We want nothing from you,” the man answered.
“You’ll want this,” Iblis said. “Would you like to see the face of God?”
“Oh, yes!” said Eve, coming from behind Adam, showing herself to Iblis.
Iblis could see that this was something Adam wanted, but his pride kept him from saying it.
“This is a trick,” Adam said.
“This is truth.”
Iblis plucked two pieces of Tamarind fruit from the tree and held one in each hand. He looked down at them, his eyes glowing the deepest shade of blue. He handed out the pods, one to Adam and one to Eve. The woman tore into hers, eager to see the face of God. Reluctantly, Adam tore open the husk of his fruit and together they tasted of it. The bitterness caused them to screw up their faces.
“You have poisoned us, Demon!” Adam shouted.
“I have. And the poison you taste is the bitter truth.”
Iblis had given them all his knowledge of the world. It was the knowledge that even the djinn did not have for only Iblis had lived in Jannah. Only Iblis knew what the angels knew. What the humans tasted was the merism of tov wa-ra; good and evil, a single thing. The world, God, the creatures of darkness and of light, they were all tov wa-ra. They were everything, all that there was or ever will be. Seeing this, God became nothing, and the humans despaired.
“Then they knew the heartbreak of Lylith,” Iblis finished his story.
Little, Mack. Progenie (Scions of Darkness Book 1) . Ellysian Press. Kindle Edition.
The door to the chapel opened, and a tall man-child stepped out. He looked as if he had been dipped in gold dust. His skin, his eyes, his hair all a dusky auric hue. Slim-fitting turquoise slacks clung to long, skinny legs. A plaid vest, white shirt, and turquoise bow-tie completed the ensemble. Lori pounced.
“Ah. Do you work here?”
“Oui, Madame. My name is Joseph.” He gave a curt bow. “This is my gallery. Would you like to take a look inside?”
“Sure would. Come on, Chaz.” She brushed past the young man, and Chaz followed her reluctantly into the odd little gallery.
It had none of the charm of the other shops that he and his new bride had visited. A haphazard jumble of portraits of differing sizes and mediums were spread out on long folding tables. Painted canvases set in elaborate frames juxtaposed with prints and lithographs in simple, painted, plastic borders with daguerreotypes stuffed in the corners. Smaller photographs both in black and white and in color were spread along the ledge of the fireplace mantel.
Chaz felt as if he had entered a lunatic’s den rather than an art gallery, and Lori looked crestfallen. He strolled among the tables and absently browsed the images, stirring the piles with his fingertips. From the corner of his eye he watched his wife ready a polite excuse for them to make their exit.
Chaz picked up one of the photos. He glanced at it and threw it back on the pile. Oddly, his breathing grew shallow, and a niggling and fizzy sensation spread at the base of his skull as he snatched up the photo again. It was a black and white, obviously taken several decades ago. Yet the woman in it – the curve of her smile – seemed familiar to Chaz. He dropped the picture and picked up another. He stared at it, trying to rationalize the presence of the woman in each of the photos, whose eyes twinkled on the page, calling to mind laughter like a song that deeply provoked nostalgia and longing. Chaz cast one down to pick up another image of the same alluring dark-skinned woman, effigies set in various eras and places. He moved from table to table, becoming more disoriented as his realized that he and Lori had stumbled into a shrine to the woman he had loved and left to marry the girl at his side.
Against the far wall of the gallery, a golden easel cradled a brazen display of a single, over-sized portrait. Chaz faltered toward it and look upon the dark and ferine woman who stood topless. Her hair, wild and bushy and dark as night, tumbled down past bronze-hued shoulders in coarse ringlets. Sable eyes shimmered like pitch dusted with glitter, looked askance at him with a carnivorous gleam. Her full, dark lips parted in a half smile. Chaz saw there an element of a predator half hidden.
He knew this body. He remembered the softness of her skin and the musky scent of it, laced with vanilla and clove. He had been intimate with every curve and every sinew of the long legs and high round ass, now hidden by a white sarong. His fingertips tingled at the memory of fondling her jutting breasts, their peaks had grown taut breasts, their peaks had grown taut at his touch. He had felt her slickness and her heat. He had tasted the sweet saltiness of her.
Enthralled, Chaz licked his lips involuntarily. It was Zen. But not as he knew her. There was an innocence about his Zen. She nurtured. He felt safe with her. Yet that version of her in that shop, on that easel, was alluring – yes – but that version had the look of a predator.
The startling beauty of the portrait haunted Chaz as he sat at the table in the hotel’s cafe. He twisted his wedding band as his mind called on every detail of the woman in the painting. He felt the dull, deep ache of his heart breaking.
Hotel guests trickled into the dining room, and the aroma of bacon and potato gallettes and sweet and savory crepes wafted, enticing. His stomach growled.
Chaz lifted the business card that lay on the table next to his coffee. It was a plain white card.
Just like the tiled sign above the chapel’s door, a single word engraved in small neat letters: Nikaule. He flipped the card and on the back was a Paris phone number. Joseph, the young gallery owner, had slipped it to him while Chaz gaped at the extraordinary portrait. Subtly touching Chaz’s back, the curator commiserated with him about the uncommon beauty of the woman in the portrait.
Chaz had been startled by him, startled by his youth, his gilded skin and something about his eyes. He struggled to remember what about the gallery owner’s eyes that disquieted him so. But what Chaz did recall clearly was the floodgates receding; at some point in that gallery, something broke loose inside him. As if everything he had felt for Zen, every time he had ever touched her came over him like a deluge of sensation. Overwhelmed, dizzy, weak, he stumbled into one of the gallery’s Queen Anne chairs.
The memory made Chaz squirm in his seat. He checked his watch and looked out of the window again for the boy. The rain had begun to come down in sheets outside of the Hôtel Columbe D’Or. At last, the young owner of the gallery walked past the window where Chaz sat. He carried an umbrella but was otherwise unharried by the storm that poured down around him. Chaz watched him disappear into the revolving doors and his heart quickened. He did not know what he was doing or why, but he had to know more about the painting. If he could, he wanted to possess it though he had no earthly idea about where he would put it.
The young man walked into the dining room. His skin, still golden hued, dismissed any thoughts Chaz might have had about the boy’s color being a trick of the light. He wore a white buttoned-down shirt beneath a dark, deep-V cardigan. His jeans were slim fitting, the legs darkened by the rain. Today, he wore a beard. It seemed a scraggly attempt to mask the baby face, which was now creased with concern.
“Monsieur, I am sorry to have kept you waiting.” His French accent was thick but intelligible.
Chaz glanced at his watch involuntarily. A fucking hour.
“It’s perfectly okay. I was enjoying the solitude.” Chaz prayed that Lori would not come down and find him here.
“Impossible.” The young man smiled – a half smile. “Not with that angel – she is your wife, no? You are newlyweds?” His rather large Adam’s apple bobbed as spoke.
“Yes,” Chaz said. “I want to thank you for taking the time to come and see me.”
“Indeed. It is my pleasure.”
Joseph extended his hand; Chaz stood and shook it, looking Joseph in the eyes as his father taught him to and was bewildered by what he saw. The irises of Joseph’s eyes shifted along the middle spectral colors as if some living flame within infused them and gave them motion, dancing from hazel to gold to deep russet. Extraordinary. Chaz was unnerved and enthralled at once.
They took their seats at the table. Joseph slipped his wet umbrella underneath the table and, once settled, he offered Chaz a cigarette. Chaz declined with a wave of his hand.
Joseph shrugged and lit his cigarette, “So, you have an interest in an object in my gallery?”
“Yes,” Chaz said. He was not sure how to proceed. He felt uncomfortable looking him in the eyes. He tried to focus on Joseph’s forehead instead. “Your gallery seems quite specific. Who is the woman–”
“Who do you think she is?”
“Well, I don’t know, actually,” Chaz said. “But she does seem familiar.”
“Only familiar? You seemed like you saw a ghost.”
The petite waitress returned to the table. Chaz was certain she would ask Joseph to put out his cigarette.
Instead, she said: “Cafe pour vous, monsieur?”
Joseph looked up at her, and when she saw his eyes, she took a step backward and caste her gaze down toward the floor. “Pardonnez-moi, monsieur,” she whispered and turned to leave.
“Hey, hey.” Chaz snapped his fingers. The waitress stopped and turned to look at him. He was going to demand ice for his water. Joseph touched his knee. Chaz pulled away instinctively from such an intimate touch from another man. When Chaz looked at him to protest, Joseph ensnared his gaze. “
"Be nice. Give her a nice tip for her fine service.”
“Oui, Monsieur?” the waitress said answering Chaz’s terse summons, eyebrows raised.
Chaz set his glass down and reached in his pocket and pull a hundred euro note from it and handed it to the waitress.
“Je vous en prie.” She left the table in haste and with her went Chaz’s memory of their interaction.
Joseph cleared his throat and tried to smooth the coarse waves of his hair on the sides of his head.
“Well,” Chaz resumed. “She is almost the spitting image of a girl I know.”
“Almost?” Joseph cocked his brow to such an exaggerated angle, it would have seemed comical were it not for his eyes, which leveled upon Chaz, flickering and alive, yet devoid of humanity.
“There’s a subtle difference,” Chaz said shifting in his seat away from Joseph.
“I see.” Joseph took a long draw on his cigarette as Chaz spoke. “I think perhaps this was a mistake. I was only curious—”
“Please. You have questions. I would like to assist you. It is not every day that someone shows such interest in my Nikaule.”
Was it the name of the woman in the painting or was it the name of the artist, Chaz wondered.
“It is the name of the woman, of course!”
That was strange, Chaz thought. Before he could put his finger on what was so weird. Joseph said, “Tell me, I am very curious, who does she remind you of?”
“Someone you have fucked?”
“Hey! Wait a minute, I really—”
“I’m sorry, Monsieur. My struggle with English – it makes me too blunt. But I can tell by the way you reacted to her. Was she a . . . um . . .” Joseph tapped his chin with the long, manicured nail of his index finger, “a lover before your marriage?”
“That’s really none of your fucking business.” Chaz pushed his seat back. He pressed against the armrests as if to rise, but his body would not comply.
He could not leave, nor could he return the aggression Joseph dealt with such guile.
“I am sure this is absolutely none of my business, but we are of the same male species are we not?” Joseph regarded him once again and said, “You would like to buy it? The portrait that held your attention?”
Chaz hesitated, relaxing somewhat. “I think – yes. Yes, I would.”
“And your young bride? Would she not be um . . .” Joseph tapped the table, this time, his nail thudding against tablecloth, “put out by it?”
“Yes, she would. Though I only meant to inquire. It may not be feasible.”
“Monsieur,” Joseph leaned forward. “anything is possible – if you have the desire.”
“And what would it cost?”
The gallery owner said nothing for one interminable moment. The hairs stood up on the back of Chaz’s neck as he fell under Joseph’s raptorial gaze. “The truth is, Chaz, this painting is priceless. It is very old, and the subject is very dear to me.”
“So, it’s not for sale?”
“Honestly, I am still deciding. I’m afraid I am a little sentimental. The thought of giving it up only to be hidden away like some piece of pornography . . . This is why I ask you these questions.” He took a long drag on his cigarette as he studied Chaz. “I can make you a good price if you can make me a promise. You will not hide her. She is too precious to be stowed away someplace where you can peek at her and . . . pleasure yourself.”
“You see my dilemma?”
“I do but—”
“Perhaps I have a possible solution.”
“Really?” Chaz was intrigued. What could he possibly suggest?
“Are you on good terms with this girl – this Zenobia?”
Chaz had not told him her name. He was sure of it. Wasn’t he?
“Sure,” Chaz said.
“Forgive me for being somewhat incredulous but you left her to marry your wife, no? I am guessing—”
“We had an understanding.”
“Yet, I sense regret?”
“Yes,” Chaz surprised himself. It was a confession that, until now, he had kept to himself. “I would have stayed with her but she . . . she made me go.”
“Well, I am sure it was for the best,” Joseph said, waving his hand dismissively. “Perhaps you can give this woman, your ex-lover, our painting. I can ship it to her?”
It was a practical solution, and it was an excuse for Chaz to see Zen again outside of work – or maybe even see her from time to time. But Chaz had no address for her. She had always come to him. “There’s no need. You can ship it to my address.”
“There must be someone there to receive it.”
“There will be. But aren’t we getting ahead of ourselves? We haven’t discussed a price.”
“Chaz, because I feel a certain kinship with you, I will make you the best deal possible.”
Little, Mack. Progenie (Scions of Darkness Book 1) . Ellysian Press. Kindle Edition.